What’s up, everybody? My title is Sal Cincotta. Immediately we’re going to cowl high-quality artwork portrait pictures. Earlier than we even get began, what is ok artwork pictures? Properly, the reply is completely different relying on who you speak to. For sure folks, they are saying sure parts should occur for one thing to be thought of high-quality artwork. However for others they are saying, “Properly, because the photographer, because the artistic, you get to find out what is ok artwork pictures.” Properly, that’s not very useful. On the finish of the day, that is simply my spin on what I love to do for high-quality artwork pictures. It’s a mix of lighting, it’s a mix of styling. However in the end, you’re the artist, you’re the photographer, and you need to decide what high-quality artwork is.
Now, with all that being mentioned, I’m going to provide you some suggestions and methods that I like, however some issues to think about right here, all of the gear that we’re utilizing, I’m going to record down within the description. So go down within the feedback of the video on YouTube and I’ll have all the things listed, as a result of I’m utilizing some new tools from Westcott that I’ve by no means used earlier than in my shoots, so I feel you’re going to love the best way it seems to be. For the primary mild, I’m utilizing the Mega JS Apollo by Westcott. This creates a brilliant enormous mild supply. After which for the sunshine above, I’m utilizing the Standard Umbrella – Silver Bounce 7’ with a big diffusion cloth beneath, each using the Westcott FJ200 strobes. So we’re simply utilizing two mild sources right here, and it’s alleged to be smooth. By the best way, with each of those mild sources, the sunshine is oblique, that means the strobe, the FJ200, is firing again into the umbrella, creating a really giant mild supply earlier than it comes straight down, versus lots of softboxes will fireplace that mild instantly at your topic. Even via diffusion materials, it’s a a lot harsher mild.
And in order that’s one of many issues I like about this mild setup. It creates this large smooth, mild supply. So listed below are some easy guidelines to observe.
So for the primary mild, I’ve bought 2.83 on the meter studying. After which for the overhead mild hitting her hair, I’ve bought 2.09. So there’s the half cease distinction between the spotlight on her hair and this large mild supply right here off to the aspect. I do need to get another shot of her standing with this lighting, so not a lot has modified. Then what we’re going to do is experiment, which I feel is a part of high-quality artwork, and do a double publicity.
Your whole cameras are arrange slightly bit in another way, so what I’ve carried out on my digicam is about it up as a shortcut menu merchandise the place I can simply hit allow. Make certain to check it a couple of alternative ways, so that you’ve bought additive, common, brilliant, darkish. For this explicit shot, I’m utilizing brilliant and its two completely different exposures that we’re going to make use of to create one shot. And what I need to do is get an image of her, that portrait, after which use the flowers as a backdrop to fill in sure areas. So that is experimentation. That is what being a photographer and an artist is all about, so let’s do it.
The primary body I’m going to get, none of my publicity settings change. So I’m simply going to get this good portrait of her straight up. And now your digicam’s going to provide you a way of what a part of the picture it’s going to make use of. Then I can begin overlaying and to get a way of what that’s going to appear to be. So I need to put it over the flowers, and I’m okay if a number of the flowers are literally blurry for this. And let’s see what that is going to appear to be.
That’s tremendous, tremendous cool. They appear to be little butterflies within the body. I might lie like a YouTuber and simply be like, “Yeah, it was simply that straightforward. Two frames, magic,” but it surely wasn’t. We needed to spend slightly little bit of time testing every of the strategies, whether or not it was brilliant, darkish, additive, and in order that’s the “season to style” I’m speaking about. So I needed to undergo all 4 to see which one I appreciated and we ended up on that, and now I really feel tremendous assured and simply persevering with to shoot and do tremendous cool stuff like that. And whenever you’re experimenting like that, the entire pictures could suck. It’s okay. That’s what I feel being an artist is all about. It’s that failure, studying from it, and rising from it.