Mikhail Baryshnikov is ready to take to the stage in The Looking Gun – tailored for the stage by Serge Lamothe and directed by François Girard. The Looking Gun is a two-hander carried out fully in Japanese starring Miki Nakatani as Shoko, Midori, and Saiko, and Mikhail Baryshnikov within the non-speaking position of Josuke Misugi.
The Looking Gun – Three letters. One tragedy.
Josuke Misugi receives three letters from completely different ladies: his spouse, his mistress and her daughter. The primary is from younger Shoko, who simply found her mom’s affair by means of the studying of her diary. The second is from his spouse Midori, revealing she’s recognized concerning the infidelity from the beginning. And the third is a farewell from Saiko, his lover of 13 years: “By the point you learn this, I’ll not be among the many residing.”
Weaving these three viewpoints with consummate ability, certainly one of Japan’s most celebrated authors Yarushi Inoue offers common resonance to Misugi’s demise. He turns what might have been the mundane account of adultery right into a compelling love story that’s thought-about a traditional of world literature.
This stage adaptation is a monologue for 3 voices, and a single actress embodies all three ladies, remodeling earlier than our eyes. On the finish of her letter, Shoko drops her college uniform to disclose Midori’s exuberant outfit who, in flip, undresses to slide into Saiko’s funeral kimono.
Behind a scrim presenting fragments of letters, the more and more tormented hunter Josuke Misugi cleans his gun. He appears to exist in a special time area. The straightforward motion he performs, which might usually take only some minutes, is stretched by means of the complete period of the play: piking up his gun in ultra-slow-motion, inspecting it, meticulously cleansing its barrels and at last standing to goal at his spouse’s again.
Borrowing from Japanese Zen aesthetics, the set’s flooring is successively draped with three basic parts: water, stone, and wooden. After Shoko wanders in a lily pond, the waters withdraw to disclose a terrain of easy black stones. Then, on the climax of Midori’s rage, the stones magically vanish to show a wood deck on which Saiko recites her suicide letter.
March 16 – April 15, 2023 at Baryshnikov Arts Heart
For extra info go to thehuntinggun.org.