Thanks once more for becoming a member of my Portray the Panorama workshop. Listed here are hyperlinks to all the teachings in case you missed any:
Lesson 1: The Concept and Reference Picture
Lesson 2: Planning and Technique
Lesson 3: Portray and Approach
Lesson 4: Self-Reflection
On the finish of the workshop, I invited you to color your personal interpretation of the reference photograph. We acquired many fantastic submissions; thanks!
It’s attention-grabbing to see all of the completely different interpretations of the identical scene. It additionally give me a number of concepts for a way I may method my work in another way.
Beneath is a showcase of pupil works (those that agreed for his or her work to be shared). I’ve additionally offered some transient commentary on every.
Hello Arnaud. Love the dabs of coloration and the distinct model. It has a van Gogh really feel to it.
Hello Teresa. Fascinating and moody take. The darker, much less saturated colours make the flowers seem extra beautiful in contrast. Properly executed!
Hello Sue. Lovely purples and blues. I like the way you modified the composition and painted with panorama dimentions moderately than portrait dimentions. Not simple to do. It has a extra open really feel to it, significantly with the adjustments you made to the sky.
Hello Robert. Nice use of texture and use of crimson across the backside. The crimson provides a burst of heat to the portray and performs nicely in opposition to the ocean of greens. Additionally, good use of method variance to convey the completely different areas.
Hello Priscilla. Fascinating take. I like the way you modified the composition and made the flowers and crops within the foreground extra unfold out. It seems such as you stained the canvas then painted excessive. It really works nicely. The stained floor performs into the concept of filth, rocks, bugs, and so forth.
Hello Phil. The colours pack a punch! Good directional brushwork to match the completely different areas.
Hello Paula. Energetic portray with the damaged coloration. Colours virtually seem to vibrate. Adore it. I’m a giant fan of this method, as you may most likely inform from my work. And good use of temperature distinction, with the nice and cozy lights cool shadows.
Hello Olga. Nice brushwork variance. With the grass and crops on the underside right-hand aspect, it seems such as you scraped these particulars into moist paint. Nice concept.
Hello Lorna. You’ve gotten a clear and complicated model. Adore it, significantly the detailing across the backside. You need to attempt watercolors in the event you haven’t already; I believe your model and method would work significantly nicely with that medium.
Hello Linda. Love the wild, untamed nature of this and the play between muted greens and bursts of saturation.
Hello Linda. It’s a moody, atmospheric take. I prefer it. Good work with the comfortable and laborious edges to direct consideration. And robust use of worth.
Hello Frank. Fascinating detailing within the foreground and use of a darkish coloration theme. I like how you’ve got woven the bushes and sky collectively and the darkish tree trunks which act as darkish accents.
Hello Etelka. Sturdy coloration concord. There’s a way of heat about it. The blue flowers on the backside look attention-grabbing and pure. And good brushwork variance.
Hello Connie. Good directional brushwork that follows the contours of the land and love the wealthy, cool greens. The darkish accents assist anchor the portray.
Hello Bodh. Fascinating take! Virtually a totally completely different scene. Not simple to do that. Love the yellow grass and the patches of element on the bottom.
Hello Beena. Lovethe brushwork and flower patterns. It’s pleasing on the eyes. Fascinating play between muted colours and the bursts of brilliant, saturated colours.
Properly executed everybody!
Dan Scott
Draw Paint Academy
PS. If you wish to invite any mates to the workshop, you may ship them to the next hyperlink: